Jules Lemaître
Auteure: Henri Morice
Nombre de pages: 324Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.
Excerpt from Theatre de Jules Lemaitre, Vol. 1: De l'Academie Francaise Oui, oui; moquez-vous de moi, cela m'est egal. Quand on est seules comme nous (encore vous, vous avez un fils), il faut bien s'occuper. Vous, qui etes une sainte, vous avez la devotion, - et les bonnes uvres. Moi, j'ai trouve cela, d'avoir un salon d'hommes celebres. Je vous assure qu'ils ne sont pas plus betes que les autres. Et puis, moi, qui suis superficielle et frivole, j'aime les merites officiels, estampilles. Je leur donne de bons petits diners; ils m'apportent leur esprit, ceux qui en ont. Les celebrites qui viennent chez moi en amenent d'autres. Peu a peu, ce prejuge s'etablit que c'est en passant par chez moi que les reputations se consacrent. J'ai fini, ma chere, par avoir de l'influence sur les elections academiques. Du moins, on le dit. MADAME DE VOVES. Mais c'est justement pour cela que je ne comprends pas que vous veniez me demander, - a moi pauvre recluse, - un academicien. MADAME IIERBEAU. C'est qu'ils sont quarante, et, en comptant bien... Enfin, je ne les ai pas tous. Et puis, il y en a de temps en temps qui s'en vont. Ainsi mon premier sujet vient de me quitter. MADAME DE VOVES. L'illustre ...
Excerpt from Discours de R'ception de M. Jules Lemaitre: R'ponse de M. Gr'ard Il le vit, et tout de suite ces deux hommes s'entendirent. M. Duruy ne dissimula point sa grande libert' quant aux choses de la politique. Sous le gouvernement de Juillet, il avait 't' de l'opposition mod'r'e. En 1818, il n'avait pas cru qu'une r'publique se fondt en plantant des arbres, et, le ministre Carnot ayant voulu lenommer lecteur du peuple il avait refus' cette fonction vague et idyllique. Il n'avait ja mais 't' ni tout a fait pour les gouvernements qui s''taient succ'd', ni enti'rement contre, 'tant vraiment un sage et d'un parti fort supe rieur a tous les partis, celui de la raison. Il di sait lui - m'me qu'il n'avait jamais cri' ni Vive la R'publique ni Vive la Monarchie ou Vive le Roi ni Vive l'empereur Nul lement indiff'rent pour cela, ou pusillanime. La haine du d'sordre r'publicain ne l'avait point jet' dans la r'action; il avait vot' le 10 d' cembre 1818 pour le g'n'ral Cavaignac; et aux pl'biscites qui su1v1rent le coup d''tat de d' cembre 1851, il avait Vot' non. Il expliqua ces votes l'empereur, qui lui assura qu'il les come prenait fort bien. L'empereur le prit comme il 'tait. Cela...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Theatre de Jules Lemaitre de l'Academie Francaise, Vol. 2: Les Rois, l'Age Difficile, le Pardon, la Bonne Helene La salle du Conseil. A droite et a gauche, petite porte au premier plan; a gauche second plan, une grande porte; a droite, une grande fenetre; au fond, une grande porte. Le trone est a gauche sur une estrade; a droite, premier plan, une table et un fauteuil. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.